Showing posts with label Apollo Moon-Shot. Show all posts
Showing posts with label Apollo Moon-Shot. Show all posts

Saturday, June 6, 2015

The Moon and Vietnam

Political sovereignty rests on control of territory. It’s that simple really: without territory, there is no polity

This control depends upon the monopolization of violence on the part of the state. But throughout history, each state has been faced with one or more other polities whose existence, too, depends upon control of territory. 

War, and interstate rivalry in general, occurs because of the rulers of each state fear that their sovereignty will be compromised by their rivals’ acquisition of territory. 

During the Cold War, this competition between great powers for the control of “territory,” was extended to outer space. 

The “space race” between the United States and the Soviet Union was spurred on by each side’s efforts to one-up the other in terms of astronautic achievement. 

Thus, when the Soviets launched Sputnik, the first artificial satellite, it sent panic through the population and government of the United States, because it seemed the “Ruskies” were about the acquire an absolute sovereignty over America itself. The U.S. quickly adopted their own satellite program. 

When, a few years later, the Russians became the first nation to put a man in space, president John Kennedy felt obliged to commit the United States to placing a man on the moon – the closest terra firma (so to speak) to the earth itself – as a way of claiming sovereignty over it, before the Russians could. 

Thus was born the world’s most expensive science-project: the Apollo moonshot

Under a blood-red moon.
joecruzmn.wordpress.com


The ramping up of the Apollo program occurred coincidentally with another product of the rivalry with the Soviet Union: the Vietnam War

Like the moonshot, the U.S. mobilized its army to fight in southeast Asia, out of the simple worry that the Soviet Union would, through its control of Vietnam as a satellite, gain control of the entire region through a “domino effect.” 

What has long fascinated me about the Vietnam War is how vociferous the opposition was to it, in spite of the fact that historically, the lethality rate for American troops, was significantly less than the other major wars in which the U.S. was involved. 

The American conflict with the worst casualty rate was, of course, the Civil War. It took place over almost exactly four years, from April 12, 1861, to April 9, 1865, about 210 weeks. The traditionally cited death toll from this conflict was 600,000. But actuarial studies of census figures have more recently determined a total estimated to be 761,000. 

If true, the death-toll for this conflict was 3,600 per week, or more than five-hundred every day! This at a time when the total prewar U.S. population was about 31 million, meaning that more than one in fifty Americans died during the “war between the states.” 

Major twentieth-century wars, invariably not fought directly on American soil, were much less deadly. 

Even so, about 116,000 American soldiers died in World War I, in which U.S. participation was relatively brief, from April, 1917 to November 11, 1918. The death toll was thus about 1,300 per week, or two hundred per day. Of course, this is only the total averaged out over the entire eighty-four weeks in which the U.S. was officially involved in hostilities. In reality, the first U.S. troops did not start arriving in Europe until the autumn of 1917, and the vast majority of them didn’t get there until the next spring. The bulk of American Great War casualties thus occurred only in the seven or eight months prior to the armistice in November. The American death rate in World War I could thus have rivalled that of the Civil War. 

The U.S. involvement in World War II lasted about 192 weeks, from December 7, 1941 to August 15, 1945. The total American dead stood at 405,000, or about 2,100 per week, three hundred per day. Again, these averages are misleading, since U.S. soldiers didn’t start actively fighting either the Japanese or Germans until well into 1942, and the worst of it, involving ground combat, didn’t commence until the next year. 

Again, the daily or weekly death toll during 1943 to ‘45 (but especially after Allied troops landed at Normandy, France, on June 6, 1944) rivalled that of the American Civil War. 

The Korean war was far less deadly, in total American deaths, than either the World Wars that preceded it, or the Vietnam war later. About thirty-six thousand Americans lost their lives on the Korean peninsula. But the duration of the conflict was far shorter than even the most active phase of the Vietnam war: about one hundred sixty four weeks, June 1950 to July 1953.  That’s about 220 deaths per week, or thirty-six per day. 

As for Vietnam, more than 58,000 Americans died in the conflict. It is hard to get a fix on just when U.S. involvement began and ended in southeast Asia, since the Americans never officially declared war on North Vietnam, although it did come to a treaty concluding U.S. involvement at least, in Paris in 1973. 

I have chosen only to average the total American deaths between 1965 and 1972, the most deadly period of the Vietnam war. This is three-hundred sixty-five weeks, putting the average weekly combat deaths at 159, or just twenty per day. Even if one cuts down the sample to the total American dead in Vietnam between 1966 and ‘69, this is exactly the weekly death toll of the Korean war, that is 220, or 36 per day, for a total of forty-six thousand or so deaths over 208 weeks. 

And of course, this is in a country with a total population that in, 1965, was forty-two million higher than in 1950 (with fifty million more by 1969 than nineteen years earlier, standing at just over 200 million by then). Thus, the total number of dead in Korea, as a percentage of the prewar total U.S. population, was a fiftieth of one percent, while in World War II, it was just over a third of one percent (about 0.12% of Americans died in the Great War). 

That's one small step for a man...
www.allposters.com


Yet taking a closer look at the casualty rates from the Korean and Vietnamese wars, in fact it was more dangerous to be an American soldier in Korea than in Vietnam (during the period of peak mobilization in southeast Asia, 1965 to 1969). In Korea, about one-million, seven-hundred eighty-five thousand U.S. troops were deployed. 

With a death-toll of about thirty-six thousand American servicemen in the Korean theatre, this is twenty-two thousand less than the toll in Vietnam. But there, almost three-and-a-half-million U.S. soldiers served in the combat zone. The overall mortality rate for American troops in Korea was thus about a fifth of one percent, while in Vietnam, it was just over a sixth of one percent of the soldiery. 

But in the late 1960s, a war with a death-toll comparable to what existed in a previous (and similar) conflict less than two decades earlier, but which was historically far below mortality rate of previous major roles, was viewed by many as an unprecedented disaster.  
A change in social psychology was the cause, obviously. I think it has something to do with the saying (widely attributed to Stalin) that “one death is a tragedy; a million deaths are a statistic.” Paradoxically, when many more young men were falling in combat, as during the American Civil War, and the World Wars, their deaths became nearly impossible to personalize, except by their loved ones. Most families lost at least one member to war, and thus most were too wrapped up in their own grief so as to feel the tragedy of the death of someone else’s loved one. There is a paradoxical need for meaning, too, that in situations of mass death, those left behind find solace in the belief that their loved ones did not die in vain. 

During Vietnam, however, combat-death was uncommon enough such that afflicted families could be the recipients of regret and sympathy by neighbours and relatives, who did not similarly suffer such loss, probably because their own sons received deferment from conscription through marriage, schooling or fraud. Thus, Vietnam-war military deaths, while numerous enough, were not so voluminous as to be (as with the previous wars in which the U.S. fought) mere statistics. 

There was another factor related to this — the state of medical practice and technology that, by the late 1960s, were far advanced from what they were even two decades earlier. These advances were spurred on, at least, by previous experience of military surgeons in the really big wars. It meant, firstly, that a very marginal number of American military deaths in Vietnam resulted from other than combat injuries. Up to World War I, deaths from accident, misadventure, infighting and disease, typically were more than half of all military casualties. 

World War II was the first war in which America fought, where a majority of deaths were from actual combat. The disease factor, especially, was in Vietnam much reduced as a cause of mortality, even from World War II. This is in spite of the fact that the Vietnamese military theatre was directly in a tropical zone, where communicable disease has always been more prevalent than in the temperate climes from which, in turn, most American soldiers hailed. 

Tropical diseases, too, have always been especially harsh upon outsiders to the plague zone, which should have included American servicemen. Instead, improvements in sanitation and inoculation meant that very few U.S. soldiers succumbed to disease at all. 

There was, in 1968, a global influenza outbreak centred in southeast Asia. Though many soldiers came down with the flu (and returning stateside, also brought the epidemic with them), and many others died, this toll included a negligible number of U.S. military personnel. 

Added to these lifesaving factors, were more direct surgical interventions upon combat injuries, assuring that a large number of those who would have died in previous wars, were able to live on. Unfortunately, many of these survivors also had mutilating and disabling injuries that even the best medicine could not repair. Many other seriously-injured veterans recovered without losing the use of arms or legs (or the loss of a limb entirely), but were thereafter beset with long-term injuries to mental health which the medical profession at the time was even more addled in dealing with. 

Thus it was assured that a large number of Vietnam-war veterans were psychologically and physically broken upon their return home. For years, the very term “Vietnam vet” was almost a byword for pathology, as it seemed many crimes and infamies were committed by individuals of that description. 

An additional factor, too, was the advent of television, and in particular, broadcast-news coverage directly from the Vietnamese war theatre. During the Korean war, TV-ownership increased from as little as one-quarter of the American public, to more than one-half. Even so, TV news was just getting started over the period of 1950-53. National newscasts were typically no longer than fifteen minutes in length before the end of the 1950s. 

Very rarely in those days, too, were news reports accompanied by “visuals”, as videotape had yet to be invented, and celluloid-film took too long to be edited, processed and transported to be available for the daily newscast. Until well into the 1960s, in fact, events were witnessed in moving-image form, primarily through the weekly cinematic newsreel. 

There are in fact newsreels documenting the early stages of American involvement in Vietnam. Their super-patriotic, anti-Communist tone, scarcely different in presentation from Second World War-era newsreels, make them seem strangely anachronistic when seen today, as perhaps they were received as such also at the time. 

Technical innovations — not least the videotape and satellite communications — constituted a mini-revolution in newsgathering during the 1960s. The last U.S. newsreels were produced in 1967, by which time the evening national-newscast (extending to a half-hour in length in the early ‘60s) had become highly-rated and very profitable for TV networks. 

Most of the footage of Vietnam combat was shot on film, and not videotape (video-cameras were then too heavy and bulky to be practical for battlefield use). But this imagery was quickly transported by plane to Tokyo or Honolulu, transferred to video and then transmitted by satellite to headquarters in New York. The footage was thus only a day or so old when seen by the public — a vivid illustration of reports that came in that day’s morning newspapers. 

The unacknowledged Legislator of the United States for two decades.
the-reaction.blogspot.com


Moreover, Vietnam-war footage was typically shot on colour film (in complete contrast even to late-era newsreels). Most homes did still have black-and-white TV, and the most gory and bloody of the footage was edited out for broadcast. Neither was the reporting by network correspondents usually very critical of the conduct of the war by American forces — let alone the reasoning behind U.S. involvement in the first place (at least prior to the attack by North Vietnamese forces during the Tet lunar new-year in January, 1968). 

But Vietnam has been called the “first television war”, or more pertinently, the “living-room war.” Far beyond the actual content of the news reports from Vietnam, the very fact of war-imagery being transmitted into the domestic surround each and every day, served to undermine support for U.S. military-involvement among the broader public. 

 There was no better example of this, than the coverage of the Tet-offensive itself. Militarily, the result was a disaster for the government in Hanoi. The war historian Don Oberdorfer wrote in 1971 of the Vietcong: “Tens of thousands of the most dedicated and experienced fighters emerged from the jungles and forests of the countryside only to meet a deadly rain of fire and steel within the cities. The Vietcong lost the best of a generation of resistance fighters, and after Tet increasing numbers of North Vietnamese had to be sent south to fill the ranks. The war became increasingly a conventional battle and less an insurgency. Because the people of the cities did not rise up against the foreigners and puppets at Tet — indeed, they gave little support to the attack force — the communist claim to a moral and political authority in South Vietnam suffered a serious blow.” (Tet! Doubleday & Co., 1971, pp. 329-30, cited in Peter Braestrup, Big Story: How the American Press and Television Reported and Interpreted the Crisis of Tet 1968 in Vietnam and Washington, Westview Press, 1977) p. xx.) 

The North Vietnamese weren't able to stage further attacks upon the south until after U.S. military forces vacated the country several years later. In the age before televised news, it would have been reported as such — “Enemy routed after failed invasion.” But the actual footage of Viet-Cong and North-Vietnamese regular troops pouring into south Vietnam — getting as far as the grounds of the U.S. embassy in Saigon — shown on TV soon after, had the same demoralizing effect on the home-front, as does the sight of a particularly fierce and disciplined attacking force on a much more numerous defending army. 

Pressured by the change in public opinion, the mighty United States military did not exactly turn and run from Vietnam. But the irony is that the Americans decided to abandon their south-Vietnamese allies just when they had the North on the heel for the first time during the course of war. And, contrary to legend, it wasn’t youthful protests that pressured the U.S. government to reverse course in Vietnam. The student radicals were very conspicuous opponents of the war, certainly. But according to opinion-polling at least, younger people were actually more in favour of fighting in Vietnam than were those in middle-age or older. It was this latter — the people who never missed Walter Cronkite or David Brinkley each evening — who were really responsible for the American “loss” of southeast Asia.

Monday, July 20, 2009

Fortieth Anniversary of Moon-Shot

Recently, I wrote about both the Apollo programme and the Woodstock festival.

On the actual 40th anniversary of the former, my own thoughts are pretty much summed up by this piece by the long-time cultural observer, novelist and snob Tom Wolfe.

Friday, June 5, 2009

Ayn Rand, Apollo & Woodstock

In Ayn Rand’s Anti-Industrial Revolution, there is an essay, dated January, 1970, called “Apollo and Dionysius.” She compares unfavourably the 500,000 who attended the Woodstock festival in Bethel, New York, in August, 1969, with roughly the same number who camped out near Cape Canaveral, Florida, a month earlier, to watch the moon-shot blast-off. The latter, Rand states, were driven by the Apollonian values of reason and sobriety, as represented in the moon mission — which was also called Apollo. Unlike the festival-goers in Bethel, the Apollo pilgrims did not take drugs, have sex publicly, disturb others, become covered in mud or leave the countryside in ruins. The Woodstock festival, Rand writes, was the apotheosis of the spirit of Dionysus, the god of wine and love. 


Novelist and philosopher Ayn Rand, 1943.
www.peoples.ru

What Ayn Rand says about the Woodstock festival-goers may be, more or less, correct. But I’m not sure why an objectivist such as her would find so much to praise about the Apollo programme. It was, after all, a massive expenditure by government which never would have been undertaken by the free-marketplace. 

What’s more, I don’t know if the motivation for the moon-shot was not the less irrational (if not Dionysian) than the Woodstock festival. It was, in fact, the latter which came about as a result of free-market calculus. 

As revealed in the book Young Men with Unlimited Capital, the “three days of peace and music” was organized by a partnership trust-fund hippies and wastrels, with a cold-eye for big bucks. By early ‘69, it was clear to rich bohemians that the counterculture was a gold mine, and the four men went to plant their stake. The results were initially, a infamous fiasco. Several hundred thousand more people showed up than the organizers had planned for, so many that the New York upstate arterial highway simply turned into a parking lot. Most of these did not possess a ticket for the festival, and upon arrival, simply kicked down and walked over the flimsy fences erected to keep gatecrashers out. 

Ultimately, of course, recordings and a documentary made of the festival turned the Woodstock festival into a multimillion dollar enterprise. There was a Woodstock ‘89, others held in 1994 and 1999. The ‘94 festival ended up like the original, rained-out and a free concert. The ‘99 event, which was held on a former U.S. army base in northern New York state, was also successfully crashed by tens of thousands of people, who went on to trash the place, committing at least some rapes and many assaults. 


Couple at Woodstock festival, 1969.
abcnews.go.com

The ‘69 festival may well have turned into “another Chicago” had not it been rescued by the federal government, which declared the area a disaster zone and sent in U.S. military assistance. Such is one result of the operation of the free-market. 

The Apollo programme, on the other hand, was a smash success, given its aim — in the famous words of president Kennedy, “to send a man to moon and return him safely, by the close of this decade.” Given that, in 1961 or ‘62, when these words were spoken, the United States could scarcely launch a rocket that did not shortly crash back to earth, this was a remarkable achievement. 

It was, in the end, the history’s most expensive science project. Its purpose was the programme itself, getting to the moon. Why the moon? Because it’s there. There is no there, there, but we got there... 

It was conceived in the aftermath of the hysteria over the launch by the Soviets of Sputnik, the first artificial satellite in 1957. The fear was that the Soviets would get to the moon first. What they would do with it, no one was certain. 

The moon exercises an important place in virtually all world mythologies, and no doubt the Soviet slathered over the dream of planting the Hammer and Sickle before the Star and Stripes, on the lunar surface. It was apparently inconceivable, even for the learned and rational technocrats of the Kennedy administration, that the Soviets would get there first. In The Right Stuff, Tom Wolfe describes how the space race was a return to single-combat joust of past times. 

On medieval and ancient battlefields, well-matched armies would decide to forego full engagement, for a limited contest between each side’s best horsemen. In the nuclear age, when it became impossible to use the most potent weapons for strategic purposes, cold warriors instead opted to put forward their most daring and elite warriors, blasting them in capsules to progressively greater orbits with each flight.  


Modern-day cavaliers.
www.spacefacts.de

On both sides, the spacemen came from the ranks of the fighter pilots of the respective air forces. From its origins in the First World War, air combat had retained the characteristics of the joust. As dogfights invariably broken into contests between two or a handful of planes, pilots came to exemplify the ancient ideal of the aristocratic warrior, according to historian Robert O’Connell (writing in Of Arms and Men). During the Great War, for example, air combatants developed codes of war, forswearing “second-runs” at crashing opponents, or the targeting of enemy parachutists. The Right Stuff describes how the Gemini astronauts were turned into national heroes overnight, lunching at the White House, hosted by beautiful starlets, pursued by groupies, known to every person in America, the gang who would “set things right.” 

Initially, of course, the Soviets were far more successful in the space race than the Americans. The CIA had no idea that the U.S.S.R. could launch a satellite. Sputnik was as much a surprise to president Eisenhower as to Mrs. and Mr. Main Street. 

It was received by the powerful and menial as a complete disaster for the United States. It sparked immediate worries about a “missile gap”, which became an issue in the 1960 election campaign. 

The Soviets were so successful at satellite technology precisely they operated under a command economy. Satellite technology is now commercially successful, but it was not considered, before Sputnik, a viable investment for the private marketplace. It is very capital- and labour-intensive, while its commercial applications, at least in the first years, were limited. 

This was no barrier to the allocation by socialist planners of enough people and resources to actually send a missile into orbit. Left to its own, the free market would not have developed satellite technology, let alone launch a man into orbit or to the moon. This was true of the U.S.A. as the Soviet Union. 

The Americans, investing anywhere from twenty to forty billion dollars of public money (hundreds of billions in today’s currency), entered the space race out of the irrational desire not to be bested by a determined opponent on an entirely novel “battlefield”, outer space. 

Great Apollonian determination was placed in the service of what was not at all rational. It was, of course, single-combat jousting. At first, the goal of the U.S. was to get the first man in space. When this proved elusive, the goalpost was reset to the next available “landmark”, the moon. Having got there, the Americans discovered a huge sphere consisting of rock. They went back a few times, played a round of golf, and haven’t bothered with it much since. 


Stanley Kubrick's footprint, left behind when he directed the fake moon landing.
www.space.com


NASA has since then focussed on the space shuttle, and the international space station, which are for any practical purpose just as useless as the moon-shot. Space exploration serves no strategic end, if it ever did. It is certainly not economical. It is simply a continuation of the multibillion-dollar science-project that was the Apollo programme. 

Perhaps, some day, space tourism might provide an economic basis for commercial space flight. But perhaps not. There is little possibility that being blasted into space will not be prohibitively expensive for all but the super-rich. How sustainable such a market would be is uncertain. The convenience of getting from New York to London in two hours was not enough to sustain Concorde as a commercially viable entity, before it went belly up a few years ago. 

No matter what the future prospects of space travel as a commercial concern, it would not have been possible without the active intervention of the state, in both command and “free-market” countries. 

Rock festivals such as Woodstock are not held very frequently, and when they are, the events themselves (leaving aside the subsequent merchandising through recordings and films) are not commercially successful. There is no practical way to house several hundred thousand people without the venue being breached by gatecrashers. 

This was proven by all the Woodstock festivals, even the last one, held on an ex-military base with twelve-foot high fences. In 1970, another famous rock festival was held, on the Isle of Wight, just off southern England. Many Woodstock alumni performed; it was one of Jimi Hendrix’s last performances. It, too, was a commercial enterprise that failed. 

The promoter, documented in a film of the event released a decade ago (after years of legal wrangling), looked on in dismay as the festival was overrun by gatecrashers. Even on an island, he said, such people couldn’t be avoided. 

Thus, the Dionysian Woodstock makes about as much commercial sense as the Apollo programme. Such festivals can be carried out successfully. Certainly, organizing a multi-day concert involving several dozen performers, with hundreds and possibly thousands of crew and staff, is a feat of logistics in itself, although not at the level of the moon-shot. 

The Woodstock organizer’s immediate motives — profit — were far more all-American than the grandiose ambitions of the moon programme. Rock festivals cannot, for the reasons outlined above, be profitable, however. Half a million people are willing to cram into one place to hear music. It does, however, have to be without charge. 

This fact has been acknowledged by very big acts, such as Simon and Garfunkel and the Dave Matthews Band, who have put on free concerts in New York’s Central park, with each event attended by several hundred thousand people. Similarly, the Rolling Stones performed at a race-track outside Toronto in 2003, to help that city after its tourist industry was hit by the SARS virus. Attended by as many as 600,000 people, the concert necessarily had to be for free (although the Stones received a substantial fee for performing). 

In the end, the motives of the half-million who watched the moon-shot, and the same number who attended the Woodstock festival a month later, were not altogether dissimilar. Each event was essentially a celebration of us — of mainstream America on the one hand, and countercultural America on the other hand — and that is all. Neither had any other practical purpose, and if the Apollonians of south Florida were less messy than the Dionysians of upstate New York, their enterprise was quite a bit more expensive, not to mention: more in keeping with the collectivist spirit that Ayn Rand so despised in her life and philosophy, than the commercial enterprise that was the Woodstock festival.